KUV projekter

Sound and movement have a long history of serving each other. Music accompanies dance. Dance visualises music. BEVÆG starts by setting that hierarchy aside. The project investigates how nature's movements — rhythms, patterns, transformations in wind, water and growth — can become the driving force in audiovisual and choreographic work. Together with choreographer Ingrid Kristensen and technical collaborator Zach Poff (Cooper Union, New York), we are developing methods where s

Nature leaves marks. A branch dragging across snow, a leaf pressed into paper, roots scoring the surface of stone. These are not images — they are records of movement, force, and chance. SPOR investigates how these graphic traces can function as scores — as active sources for musical composition. The question is not just aesthetic: it is methodological. How do you translate the accidental into the systematic? How do you build compositional tools from materials that were never